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Media tagged with: Performance_Art

Justine A. Chambers, Exposure Pose Slow, camera and editing by Margaret Dragu, June 2021

#solo

#Memory

#LGBYQIA2S+

#dont_trust_the_archive

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Exposure time is slow

Sentient into the backspace

The vulnerable creative people are dying | precariousness

Reflections on "Dust Bunnies International" by Nurse's Assistant | Music: "Tropicana" by Soundroll

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Dust bunnies international

Max Wyman, DANCEnews, The Vancouver Sun, 13 Jul 1977, P. 45

#Contemporary_Dance

#Performance_Art

#theater

#technician_as_performer

#The_Vancouver_Sun

#1977

#Paula_Ross_Dance_Centre

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Intersections of cosmologies

Centerfold Interdisciplinary Artists' Newspaper, Vol 2 No 1, October 1977, P. 1; editors, writers, publishers Marcella Biennnvenue & Clive Robertson

#Performance_Art

#Contemporary_Dance

#technician_as_performer

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The person vs. the crowd

Le devoir, 14 Janvier 1977, P. 10

#Contemporary_Dance

#Performance_Art

#performing_for_the_camera

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Form of use

The Calgary Herald, 5 Apr 1978, P. 80; Artons Gallery, artist run centre, Marcella Bienvenue & Clive Robertson

#performing_for_the_camera

#Contemporary_Dance

#Performance_Art

#sharing_embodied_histories

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Form of use

Centerfold, vol 2 no 5, 1978, P. 59; Artons Gallery, Calgary, performance by Margaret liminal zone of performance art and stripping

#Performance_Art

#performing_for_the_camera

#Labour

#female_body

#Feminism

#Centerfold:_An_Interdisciplinary_Artist's_Newspaper

#1978

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Being complicit

Parachute revue d'art contemporaine, Automne 1979, P. 26; collage multiple performances by Margaret solos & with other artists

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Permeability

John Greyson, Margaret Dragu, and Colin Campbell

#complicit

#performing_for_the_camera

#Performance_Art

#Glamour

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Dream Sequence

Colin Campell & Margaret PR still for DanceWorks performance

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Permeability

Colin Campbell & Margaret, performance art PR photo; TDT Winchester Theatre, Toronto; DanceWorks

#Task

#container

#Performance_Art

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The vulnerable creative people are dying | precariousness

Unused PR photo of Margaret and Colin Campbell

#Glamour

#The_Globe_and_Mail

#Performance_Art

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Dream Sequence

Colin Campbell & Margaret arm wrestle for camera and the press as PR before performance, DanceWorks, TDT Winchester Theatre

#Performance_Art

#performing_for_the_camera

#authenticity

#sharing_embodied_histories

#Glamour

#LGBYQIA2S+

#Gender

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[Being in] Recovery | – recovering material / reclaim | – recovering from … let go

1982 Globe & Mail article, Toronto; Colin Campbell & Margaret performance; being famous was different back then

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Exposure time is slow

Body_Politic_Colin_Campbel_Margaret_Dragu

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Dust bunnies international

C Magazine, Colin Campbell an Margaret Dragu, Harbourfront, Toronto, DanceWorks Productions

#Performance_Art

#storytelling

#sharing_embodied_histories

#Glamour

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Dust bunnies international

Colin Campbell and Margaret Dragu, TDT Winchester Theatre, Toronto, 1982–84

#Performance_Art

#performing_for_the_camera

#Process

#Glamour

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Sentient into the backspace

A job you can do sitting

Colin Campbell and Margaret Dragu, Dressing Room Still Life; makeup glamour, left-wing newspaper, Toronto, 1982–84

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Sentient into the backspace

Bodies as extracted resource | Resource extraction

Margaret Dragu, Audio Description of Card 3, Version 2

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Exposure time is slow

Margaret Dragu, Audio Description of Card 5, Version 2

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Upstairs: Glamorous | Downstairs: Tawdry | Margaret’s telling of Sunset Strippers

Margaret Dragu, Audio Description of Card 14, Version 2

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Shape vs Being

Margaret Dragu, Audio Description of Card 26

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Documentation vs. art creation (videographer)

Margaret Dragu, Audio Description of Card 29, Version 2

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Tada!

Margaret Dragu, Audio Description of Card 30, Version 1

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How it falls apart

Margaret Dragu, Audio Description of Card 36, Version 1

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The anger came from the sadness

Margaret Dragu, Audio Description of Card 41

#Performance_Art

#Verb_Frau_TV

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The objects / things | giving them time, space

Margaret Dragu, Audio Description of Card 5, Version 2

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